羅馬旅游景點的英語介紹（羅馬旅游英文介紹）

導讀：羅馬旅游景點的英語介紹（羅馬旅游英文介紹） 介紹羅馬的英語作文 羅馬景點的英文介紹 急急急 請根據(jù)提示 寫一篇100字左右的介紹歐洲古都羅馬城的英語短文。 求意大利以下旅游景點的英文簡介，急用，謝謝~~~~~~~~ 用英語介紹意大利風景名勝 關(guān)于羅馬（Rome）的旅游信息【用英語寫】

介紹羅馬的英語作文

There’s no escaping it: Rome means history. There are layers of the stuff - Etruscan（伊特魯里亞的） tombs, Republican meeting rooms, Imperial temples, early Christian churches, medieval bell towers, Renaissance（文藝復興） palaces and baroque basilicas（長方形基督教堂）. In this city a phenomenal concentration of history, legend and monuments coexists（共存） with an equally phenomenal concentration of people busily going about their everyday life. It’s hard to say what you’ll find most breathtaking（驚人的） about the eternal city - the arrogant opulence of the Vatican（梵蒂岡）or the timelessness（永恒） of the Forum（古羅馬廣場）.

Rome is halfway down Italy’s western coast, about 20km inland. It’s a vast city, but the historic centre is quite small. Most of the major sights are within a reasonable distance of the central railway station. It is, for instance, possible to walk from the Colosseum（羅馬圓形大劇場）, through the Forum, up to Piazza di Spagna（西班牙廣場） and across to the Vatican in one day, but you wouldn’t really want to. All the major monuments are west of the train station, but make sure you use a map. While it can be enjoyable to get off the beaten track（平坦的路） in Rome, it can also be very frustrating and time-consuming.

Most of the budget（便宜的） places to stay are clustered around Stazione Termini; this area is rife with pickpockets（扒手） and gangs of thieving children, so beware - do your best to look like you know where you’re going. It is only slightly more expensive and definitely more enjoyable to stay closer to the city centre.

Rome’s mild climate makes it visitable year-round; however, spring and autumn are without doubt the best times to visit, with generally sunny skies and mild temperatures. Unfortunately, these times are also the peak tourist season, when the tour buses pour in（川流不息的涌入） and tourists are herded around like cattle. July and August are unpleasantly hot, and Romans traditionally desert the stiflingly hot city in August, with many businesses closing; try to avoid visiting at this time. From December to February there is briskly cold weather, although it’s rarely grey and gloomy.

Events-wise, Italy’s calendar bursts year-round with cultural events ranging from colourful traditional celebrations with a religious and traditional flavour, through to cultural events. Summer is definitely the best time to visit if you want to catch the best of the festivals; however, the Romaeuropa festival is now a feature of the autumn calendar, the Roma opera season runs from December until June and the classical and contemporary music scene is lively all year round.

羅馬景點的英文介紹

競技場 (The Colosseum or Coliseum)

The Colosseum or Coliseum, originally the Flavian Amphitheatre (Latin: Amphitheatrum Flavium, Italian Anfiteatro Flavio or Colosseo), is an elliptical amphitheatre in the centre of the city of Rome, Italy, the largest ever built in the Roman Empire. It is one of the greatest works of Roman architecture and engineering.

Occupying a site just east of the Roman Forum, its construction started between 70 and 72 AD under the emperor Vespasian and was completed in 80 AD under Titus, with further modifications being made during Domitian's reign (81–96).[1] The name "Amphitheatrum Flavium" derives from both Vespasian's and Titus' family name ("Flavius, from the gens Flavia).

Originally capable of seating around 50,000 spectators, the Colosseum was used for gladiatorial contests and public spectacles. It remained in use for nearly 500 years with the last recorded games being held there as late as the 6th century – well after the traditional date of the fall of Rome in 476. As well as the traditional gladiatorial games, many other public spectacles were held there, such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building eventually ceased to be used for entertainment in the early medieval era. It was later reused for such varied purposes as housing, workshops, quarters for a religious order, a fortress, a quarry and a Christian shrine.

Although it is now in a ruined condition due to damage caused by earthquakes and stone-robbers, the Colosseum has long been seen as an iconic symbol of Imperial Rome. Today it is one of modern Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torchlit "Way of the Cross" procession to the amphitheatre.

The Colosseum is also depicted on the Italian version of the five euro-cent coin.

The Colosseum's original Latin name was Amphitheatrum Flavium, often anglicized as Flavian Amphitheater. The building was constructed by emperors of the Flavian dynasty, hence its original name.[2] This name is still used frequently in modern English, but it is generally unknown.

The name Colosseum has long been believed to be derived from a colossal statue of Nero nearby.[1] This statue was later remodeled by Nero's successors into the likeness of Helios (Sol) or Apollo, the sun god, by adding the appropriate solar crown. Nero's head was also replaced several times and substituted with the heads of succeeding emperors. Despite its pagan links, the statue remained standing well into the medieval era and was credited with magical powers. It came to be seen as an iconic symbol of the permanence of Rome.

In the 8th century, the Venerable Bede (c. 672–735) wrote a famous epigram celebrating the symbolic significance of the statue: Quandiu stabit coliseus, stabit et Roma; quando cadit coliseus, cadet et Roma; quando cadet Roma, cadet et mundus ("as long as the Colossus stands, so shall Rome; when the Colossus falls, Rome shall fall; when Rome falls, so falls the world").[3] This is often mistranslated to refer to the Colosseum rather than the Colossus (as in, for instance, Byron's poem Childe Harold's Pilgrimage). However, at the time that Bede wrote, the masculine noun coliseus was applied to the statue rather than to what was still known as the Flavian amphitheatre.

The Colossus did eventually fall, probably being pulled down to reuse its bronze. By the year 1000 the name "Colosseum" (a neuter noun) had been coined to refer to the amphitheatre. The statue itself was largely forgotten and only its base survives, situated between the Colosseum and the nearby Temple of Venus and Roma.[4]

The name was further corrupted to Coliseum during the Middle Ages. In Italy, the amphitheatre is still known as il Colosseo, and other Romance languages have come to use similar forms such as le Colisée (French), el Coliseo (Spanish) and o Coliseu (Portuguese).

C onstruction of the Colosseum began under the rule of the Emperor Vespasian[1] in around 70–72. The site chosen was a flat area on the floor of a low valley between the Caelian, Esquiline and Palatine Hills, through which a canalised stream ran. By the 2nd century BC the area was densely inhabited. It was devastated by the Great Fire of Rome in AD 64, following which Nero seized much of the area to add to his personal domain. He built the grandiose Domus Aurea on the site, in front of which he created an artificial lake surrounded by pavillions, gardens and porticoes. The existing Aqua Claudia aqueduct was extended to supply water to the area and the gigantic bronze Colossus of Nero was set up nearby at the entrance to the Domus Aurea.[4]

The area was transformed under Vespasian and his successors. Although the Colossus was preserved, much of the Domus Aurea was torn down. The lake was filled in and the land reused as the location for the new Flavian Amphitheatre. Gladiatorial schools and other support buildings were constructed nearby within the former grounds of the Domus Aurea. According to a reconstructed inscription found on the site, "the emperor Vespasian ordered this new amphitheatre to be erected from his general's share of the booty." This is thought to refer to the vast quantity of treasure seized by the Romans following their victory in the Great Jewish Revolt in 70. The Colosseum can be thus interpreted as a great triumphal monument built in the Roman tradition of celebrating great victories.[4] Vespasian's decision to build the Colosseum on the site of Nero's lake can also be seen as a populist gesture of returning to the people an area of the city which Nero had appropriated for his own use. In contrast to many other amphitheatres, which were located on the outskirts of a city, the Colosseum was constructed in the city centre; in effect, placing it both literally and symbolically at the heart of Rome.

The Colosseum had been completed up to the third story by the time of Vespasian's death in 79. The top level was finished and the building inaugurated by his son, Titus, in 80.[1] Dio Cassius recounts that over 9,000 wild animals were killed during the inaugural games of the amphitheatre. The building was remodelled further under Vespasian's younger son, the newly-designated Emperor Domitian, who constructed the hypogeum, a series of underground tunnels used to house animals and slaves. He also added a gallery to the top of the Colosseum to increase its seating capacity.

In 217, the Colosseum was badly damaged by a major fire (caused by lightning, according to Dio Cassius[5]) which destroyed the wooden upper levels of the amphitheatre's interior. It was not fully repaired until about 240 and underwent further repairs in 250 or 252 and again in 320. An inscription records the restoration of various parts of the Colosseum under Theodosius II and Valentinian III (reigned 425–450), possibly to repair damage caused by a major earthquake in 443; more work followed in 484 and 508. The arena continued to be used for contests well into the 6th century, with gladiatorial fights last mentioned around 435. Animal hunts continued until at least 523.[4]

Medieval

Map of medieval Rome depicting the ColosseumThe Colosseum underwent several radical changes of use during the medieval period. By the late 6th century a small church had been built into the structure of the amphitheatre, though this apparently did not confer any particular religious significance on the building as a whole. The arena was converted into a cemetery. The numerous vaulted spaces in the arcades under the seating were converted into housing and workshops, and are recorded as still being rented out as late as the 12th century. Around 1200 the Frangipani family took over the Colosseum and fortified it, apparently using it as a castle.

Severe damage was inflicted on the Colosseum by the great earthquake of 1349, causing the outer south side to collapse. Much of the tumbled stone was reused to build palaces, churches, ho spitals and other buildings elsewhere in Rome. A religious order moved into the northern third of the Colosseum in the mid-14th century and continued to inhabit it until as late as the early 19th century. The interior of the amphitheatre was extensively stripped of stone, which was reused elsewhere, or (in the case of the marble facade) was burned to make quicklime.[4] The bronze clamps which held the stonework together were pried or hacked out of the walls, leaving numerous pockmarks which still scar the building today.

Exterior

The exterior of the Colosseum, showing the partially intact outer wall (left) and the mostly intact inner wall (right)

Original fa?ade of the Colosseum

Entrance LII of the Colosseum, with Roman numerals still visibleUnlike earlier amphitheatres that were built into hillsides, the Colosseum is an entirely free-standing structure. It is elliptical in plan and is 189 metres (615 ft / 640 Roman feet) long, and 156 metres (510 ft / 528 Roman feet) wide, with a base area of 6 acres. The height of the outer wall is 48 metres (157 ft / 165 Roman feet). The perimeter originally measured 545 metres (1,788 ft / 1,835 Roman feet). The central arena is an oval (287 ft) long and (180 ft) wide, surrounded by a wall (15 ft) high, above which rose tiers of seating.

The outer wall is estimated to have required over 100,000 cubic meters (131,000 cu yd) of travertine stone which were set without mortar held together by 300 tons of iron clamps.[4] However, it has suffered extensive damage over the centuries, with large segments having collapsed following earthquakes. The north side of the perimeter wall is still standing; the distinctive triangular brick wedges at each end are modern additions, having been constructed in the early 19th century to shore up the wall. The remainder of the present-day exterior of the Colosseum is in fact the original interior wall.

The surviving part of the outer wall's monumental fa?ade comprises three stories of superimposed arcades surmounted by a podium on which stands a tall attic, both of which are pierced by windows interspersed at regular intervals. The arcades are framed by half-columns of the Doric, Ionic, and Corinthian orders, while the attic is decorated with Corinthian pilasters.[11] Each of the arches in the second- and third-floor arcades framed statues, probably honoring divinities and other figures from Classical mythology.

Two hundred and forty mast corbels were positioned around the top of the attic. They originally supported a retractable awning, known as the velarium, that kept the sun and rain off spectators. This consisted of a canvas-covered, net-like structure made of ropes, with a hole in the center.[1] It covered two-thirds of the arena, and sloped down towards the center to catch the wind and provide a breeze for the audience. Sailors, specially enlisted from the Roman naval headquarters at Misenum and housed in the nearby Castra Misenatium, were used to work the velarium.[12]

The Colosseum's huge crowd capacity made it essential that the venue could be filled or evacuated quickly. Its architects adopted solutions very similar to those used in modern stadiums to deal with the same problem. The amphitheatre was ringed by eighty entrances at ground level, 76 of which were used by ordinary spectators.[1] Each entrance and exit was numbered, as was each staircase. The northern main entrance was reserved for the Roman Emperor and his aides, whilst the other three axial entrances were most likely used by the elite. All four axial entrances were richly decorated with painted stucco reliefs, of which fragments survive. Many of the original outer entrances have disappeared with the collapse of the perimeter wall, but entrances XXIII to LIV still survive.[4]

Spectators were given tickets in the form of numbered pottery shards, which directed them to the appropriate section and row. They accessed their seats via vomitoria (singular vomitorium), passageways that opened into a tier of seats from below or behind. T hese quickly dispersed people into their seats and, upon conclusion of the event or in an emergency evacuation, could permit their exit within only a few minutes. The name vomitoria derived from the Latin word for a rapid discharge, from which English derives the word vomit.

*************

許愿池(Fontana di Trevi)

The Trevi Fountain (Italian: Fontana di Trevi) is the largest — standing 25.9 meters (85 feet) high and 19.8 meters (65 feet) wide — and most ambitious of the Baroque fountains of Rome. It is located in the rione of Trevi.

The fountain at the juncture of three roads (tre vie) marks the terminal point of the "modern" Acqua Vergine, the revivified Aqua Virgo, one of the ancient aqueducts that supplied water to ancient Rome. In 19 BC, supposedly with the help of a virgin, Roman technicians located a source of pure water some 13 km (8 miles) from the city. (This scene is presented on the present fountain's facade). However, the eventual indirect route of the aqueduct made its length some 22 km (14 miles). This Aqua Virgo led the water into the Baths of Agrippa. It served Rome for more than four hundred years. The "coup de grace" for the urban life of late classical Rome came when the Goth besiegers in 537/38 broke the aqueducts. Medieval Romans were reduced to drawing water from polluted wells and the Tiber River, which was also used as a sewer.

The Roman custom of building a handsome fountain at the endpoint of an aqueduct that brought water to Rome was revived in the fifteenth century, with the Renaissance. In 1453, Pope Nicholas V finished mending the Acqua Vergine aqueduct and built a simple basin, designed by the humanist architect Leon Battista Alberti, to herald the water's arrival.

[edit] The present fountain

[edit] Commission, construction and design

In 1629 Pope Urban VIII, finding the earlier fountain insufficiently dramatic, asked Bernini to sketch possible renovations, but when the Pope died the project was abandoned. Bernini's lasting contribution was to resite the fountain from the other side of the square to face the Quirinal Palace (so the Pope could look down and enjoy it). Though Bernini's project was torn down for Salvi's fountain, there are many Bernini touches in the fountain as it was built. An early, striking and influential model by Pietro da Cortona also exists.

Competitions had become the rage during the Baroque era to design buildings, fountains, and even the Spanish Steps. In 1730 Pope Clement XII organized a contest in which Nicola Salvi initially lost to Alessandro Galilei — but due to the outcry in Rome over the fact that a Florentine won, Salvi was awarded the commission anyway.[1] Work began in 1732, and the fountain was completed in 1762, long after Clement's death, when Pietro Bracci's 'Neptune' was set in the central niche.

Salvi died in 1751, with his work half-finished, but before he went he made sure a stubborn barber's unsightly sign would not spoil the ensemble, hiding it behind a sculpted vase. The Trevi Fountain was finished in 1762 by Giuseppe Pannini, who substituted the present bland allegories for planned sculptures of Agrippa and "Trivia", the Roman virgin.

[edit] Restoration

The fountain was refurbished in 1998; the stonework was scrubbed and the fountain provided with recirculating pumps.

[edit] Iconography

The backdrop for the fountain is the Palazzo Poli, given a new facade with a giant order of Corinthian pilasters that link the two main stories. Taming of the waters is the theme of the gigantic scheme that tumbles forward, mixing water and rockwork, and filling the small square. Tritons guide Neptune's shell chariot, taming seahorses (hippocamps).

In the center is superimposed a robustly modelled triumphal arch. The center niche or exedra framing Neptune has free-standing columns for maximal light-and-shade. In the niches flanking Neptune, Abundance spills water from her urn and Salubrity holds a cup from which a snake drinks. Above, bas reliefs illustrate the Roma n origin of the aqueducts.

The tritons and horses provide symmetrical balance, with the maximum contrast in their mood and poses (by 1730, the rococo is already in full bloom in France and Germany).

[edit] Coin throwing

A traditional legend holds that if visitors throw a coin into the fountain, they are ensured a return to Rome. Among those who are unaware that the "three coins" of Three Coins in the Fountain were thrown by three different individuals, a reported current interpretation is that two coins will ensure a marriage will occur soon, while three coins leads to a divorce. A reported current version of this legend is that it is lucky to throw three coins with one's right hand over one's left shoulder into the Trevi Fountain.

Approximately 3,000 Euros are thrown into the fountain each day and are collected at night. The money has been used to subsidize a supermarket for Rome's needy. However, there are regular attempts to steal coins from the fountain, including some using a magnetized pole.

急急急 請根據(jù)提示 寫一篇100字左右的介紹歐洲古都羅馬城的英語短文。

Rome is the capital of Italy and the country's largest and most populated city and comune, with over 2.7 million residents in 1,285.3 km2 (496.3 sq mi). The city is located in the central-western portion of the Italian Peninsula, on the Tiber River within the Lazio region of Italy.

Rome constitutes one of Italy's 8,101 communes, and is the largest both in terms of land area and population. It is governed by a mayor, currently Gianni Alemanno, and a city council. The seat of the commune is the Palazzo Senatorio on the Capitoline Hill.

求意大利以下旅游景點的英文簡介，急用，謝謝~~~~~~~~

威尼斯: Venezia

圣馬可廣場:Piazza San Marco

龐貝古城:Pompei

佛羅倫薩: Firenze

米蘭市: Milano

米蘭大教堂: Duomo di Milano

羅馬市: Roma

羅馬斗獸場: Colosseo

意大利的民俗: Dogana italiana

用英語介紹意大利風景名勝

意大利著名景點

科洛塞競技場(Piazza del Colosseo)

科洛塞競技場(又譯羅馬斗獸場）是羅馬時代最偉大的建筑之一，也是保存最好的一座圓形競技場。位于威尼斯廣場的東南面。斗獸場是世界八大名勝之一，也是羅馬帝國的象征。這座巨大的露天劇場叫做弗拉維奧劇場，因為它是由弗拉維奧家族的幾位皇帝建造的。通常，人們稱之為科洛塞。斗獸場的外觀像一座龐大的碉堡，占地20000平方米，圍墻周長527米，直徑188米，墻高57米，相當于一座19層現(xiàn)代樓房的高度，場內(nèi)可10.7萬觀眾。像所有羅馬的建筑一樣，其基本結(jié)構(gòu)是拱券結(jié)構(gòu)，一系列的拱、券和恰當安排的橢圓形建筑構(gòu)件使整座建筑極為堅固。這是當年用斗獸、英競技、賽馬、戲劇和歌舞表演的場地。這座雄偉的建筑堪稱建筑的楷模。是建造在一片凹地上的宏偉建筑。尼祿時代，這一凹地是尼祿金殿花園里的一個人工湖。

威尼斯(Venezia)

既有世上獨一無二的溫柔，又不乏歷史上地中海最強的高雅風景，東西方的橋梁。這座建于公元5世紀的世界著名城市位于意大利東北部，離大陸約4公里，坐落在威尼斯湖約118個大大小小的島嶼上。150多條運河和400座橋梁縱橫交錯，把這118個島嶼聯(lián)成一個城市整體。威尼斯無可比擬的獨特外貌和豐富的藝術(shù)寶藏，使它成為世界上最具有吸引力的旅游城市。威尼斯的美離不開碧綠碧綠的水和搖搖晃晃的小船，更離不開富麗堂皇的古典建筑物。站在圣馬可廣場向四周眺望，縱橫的街道在這里化身成蜿蜒的運河；在普通城市街上通行無阻的車輛，在這里變成了小船。這里的每一條小水道、小街、小教堂和小廣場都是風景，也記錄著水城燦爛的文化和歷史。

圣馬可廣場，(Piazza del san.marco)被譽為最浪漫的廣場，鴿子是這里最大的特色

嘆息橋，嘆息橋連接的兩座建筑物分別是法院和監(jiān)獄；一般來講，進入監(jiān)獄的人都不會活著出去的，而嘆息橋就成為了他們最后唯一可以看見陽光的地方，因此，囚犯們經(jīng)過這里的時候都會不自禁地發(fā)出一聲嘆息，久而久之，這些嘆息就嘆成了“嘆息橋”了……

總督宮，威尼斯共和國時期的最高權(quán)力機關(guān)；粉紅色的大理石外墻，連續(xù)的尖型拱門和四辨花型圓窗，屬于典型的哥特式風格。

圣馬可大教堂，強烈的拜占庭風格，相傳是用來供奉福音作者圣馬可的教堂；圣馬可是威尼斯的守護神，標志物是獅子，因此，獅子也是威尼斯的標 志物。

圣馬可大教堂兩旁的新舊行政官邸，一樓現(xiàn)在大多用做咖啡館；最著名的是弗洛里安咖啡館，據(jù)說海明威、拜倫經(jīng)常在這里流連；當然，這里的咖啡也是全意大利最昂貴的~~

貢多拉，相傳以前的船夫都是又年輕又帥氣的小伙子，邊劃船還邊唱著情歌；現(xiàn)在當然不是了~~ 另外，貢多拉是威尼斯最貴的交通工具，除非你的錢多的可以拿來燒，否則，象征式地坐坐就可以了……

Italy famous scenic spots

Ke Luose Arena (Piazza del Colosseo)

Ke Luose Arena (also translated the Roman Colosseum) Roman times is the greatest one of the building, but also to preserve the best of an amphitheater. Venice is located in the south-east of the square. Colosseum is one of the world's eight major attractions, but also a symbol of the Roman Empire. The huge open-air theater called Flavio Theater, as it is by Flavio's family, several of the construction of the emperor. In general, Keluo Se known. Colosseum look like a huge bunker, covers an area of 20,000 square meters, 527 meters perimeter wall with a diameter of 188 meters, 57 meters high wall, which is equivalent to a 19-story modern building height, site could be 107,000 spectators. Like all Roman architecture, the basic structure of the arch structure, a series of humps, coupons and appropriate arrangements for the oval-shaped building components so that the whole building is extremely strong. This is the time to use animal fighting, the British sports, horse racing, theater and cabaret venue. The majestic architecture of the building can be a model. Construction is in a concave on the floor of the magnificent building. Nero era, this is Nero Au Kam-din in the garden of a man-made lake.

Venice (Venezia)

Not only unique gently in the world, there is no lack of history of the Mediterranean's most elegant landscape, the East-West bridge. This was built in the 5th century the world-famous city is located in the north-east Italy, about 4 km from the mainland, the lake is located in Venice, about 118 large and small islands. More than 150 articles and canals criss-crossing 400 bridges, 118 of this island into a city as a whole. Venice looks unique and unparalleled wealth of art treasures, making it the world's most attractive tourist cities. Venice can not be separated from the United States and the green green water and rickety boats, but can not be separated from the magnificent classical buildings. Piazza San Marco to look around the stands, vertical and horizontal streets here into the embodiment of the winding canals; ordinary city streets and unhindered access of vehicles into the boat here. Here's one for every small waterways, streets, small churches and small square is the scenery, but also a record Shuicheng splendid culture and history.

Piazza San Marco, (Piazza del san.marco) as the most romantic squares, pigeons here is the greatest feature

Bridge of Sighs, Bridge of Sighs connecting the two buildings are the courts and prisons; In general, people enter the prison will not go out alive, and the Bridge of Sighs became the last of their only place to see the sun, After prisoners here will be sent to Buzi Jin A Sigh, with the passage of time, the sigh sigh on a "Bridge of Sighs" ... ...

Governor's Palace of the Republic of Venice during the highest organ of state power; pink marble wall, a row of sharp-arch and identified four flower-round window, typical of the Gothic style.

St. Mark's Cathedral, a strong Byzantine style, traditionally used to worship is the author of the Gospel of St. Mark's Church; San Marco, the patron saint of Venice, however, the marker is a lion, the lion of Venice is also a marker.

St. Mark's Cathedral on both sides of the old and new Executive Mansion, on the first floor is now mostly used as a coffee shop; the most famous is the Florian Cafe, is said to Hemingway, Byron often hang around here; of course, the coffee here is the whole Italy Expensive ~ ~

Gondola, the boatmen Legend has it that before they were young and handsome young man, boating while also singing love songs; now, of course, is not a ~ ~ In addition, Venice gondola is the most expensive means of transport, unless your money The burning can be used, or a token will be able to sit up ... ...

關(guān)于羅馬（Rome）的旅游信息【用英語寫】

Rome is the national capital of Italy.Rome enjoys a Mediterranean climate,and spring and autumn are mild to warm. Traditionally, many businesses were accustomed to closing during August.

The city is famous for its seven hills, east of the river Tiber: Aventine Hill (Aventinus), Caelian Hill (Caelius), Capitoline Hill (Capitolinus), Esquiline Hill (Esquilinus), Palatine Hill (Palatinus), Quirinal Hill (Quirinalis), Viminal Hill (Viminalis).[85] Of the seven hills of current Rome, five (Aventine, Caelian, Esquiline, Quirinal and Viminal hills) are populated with monuments, buildings, and parks. The Capitoline now hosts the Municipality of Rome, and the Palatine Hill is an archaeological area. All these hills have strong cultural legacies and have unique histories. There are also other hills in Rome, such as the Janiculum Hill, the Pincian Hill and the Vatican Hill, to name a few, but these do not count as part of the seven hills of the city.

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